Through the imagination, then, the poet is projected into the subject and lives according to its essential qualities. Leavis too austere, but he points out a quality which Keats plainly sought for.
As such, Keats consciously chose the shift in the themes of the poem and the contrasts within the poem represent the pain felt when comparing the real world to an ideal world found within the imagination. This idea extends the above beliefs about escaping the self to form a philosophy about the poetic character and its proper relationship to the world.
White and Willard Spiegelman used the Shakespearean echoes to argue for a multiplicity of sources for the poem to claim that Keats was not trying to respond just to Milton or escape from his shadow.
Imagination cannot be more rich and satisfying, felicity of phrase and cadence cannot be more absolute, than in the several contrasted stanzas calling for the draft of southern vintage […] To praise the art of a passage like that in the fourth stanza […] to praise or comment on a stroke of art like this is to throw doubt on the reader's power to perceive it for himself.
Romantic poems often contained the fantasy element. Although Keats favours a female nightingale over Coleridge's masculine bird, both reject the traditional depiction of the nightingale as related to the tragedy of Philomela. These elements make it impossible for there to be a complete self-identification with the nightingale, but it also allows for self-awareness to permeate throughout the poem, albeit in an altered state.
The death-wish in the ode is a passing but recurrent attitude toward a life that was unsatisfactory in so many ways. Still wouldst thou sing, and I have ears in vain— To thy high requiem become a sod.
As the poem ends, the trance caused by the nightingale is broken and the narrator is left wondering if it was a real vision or just a dream. The dream image emphasizes the shadowiness and elusiveness of the poem.
As Keats explains in his letter to George and Tom: Upon realizing the dangers of trying to deny his own human nature, Endymion suddenly discovers that the Indian maiden, his mortal counterpart, is really Diana, his immortal desire, in disguise.
Having met an Indian maiden, Endymion is torn between his love for this mortal woman and his idealized love for his immortal goddess.
We have read this ode over and over again, and every time with increased delight. The narrator seeks to be with the nightingale and abandons his sense of vision in order to embrace the sound in an attempt to share in the darkness with the bird.
The pain of that recognition is what generates the desire for escape through wine in the second stanza. The nightingale is also the object of empathy and praise within the poem.Essays and criticism on John Keats, including the works Endymion: A Poetic Romance, “Ode to a Nightingale”, “Ode on a Grecian Urn” - Magill's Survey of World Literature.
Ode to a Nightingale Summary.
Ode to a Nightingale was written inand it is the longest one, with 8 stanzas of 10 lines each. It was written at Charles Brown’s house, after Keats was struck by the melancholy singing of a nightingale bird, and it travels through the cabal of the Greek gods, all the while emphasizing the feeling of melancholy – a.
Poem "Ode to a Nightingale" was written by John Keats in May of in the garden of Hampstead, area of London.
Video added, read and download pdf-file. By John Keats About this Poet John Keats was born in London on 31 Octoberthe eldest of Thomas and Frances Jennings Keats’s four children.
The poem ends with an acceptance that pleasure cannot last and that death is an inevitable part of life. In the poem, Keats imagines the loss of the physical world and sees himself dead—as a "sod" over which the nightingale sings.
"Ode to a Nightingale" is a poem by John Keats written either in the garden of the Spaniards Inn, Hampstead, London or, according to Keats' friend Charles Armitage Brown, under a plum tree in the garden of Keats' house at.Download